In this article, we delve into a detailed analysis of 3,532 user reviews from various languages worldwide to examine the Audio-Technica Pro 70. This analysis is performed by the RR artificial intelligence and updated daily with newly submitted reviews. The RR AI utilizes a complex algorithm to first scrutinize user reviews for credibility, filtering out unreliable ones. It then proceeds to dissect and evaluate the valuable insights within these reviews, providing users with ratings regarding the features of this product. Based on these assessments, users can make informed decisions about whether this product is suitable for them or not.
These results are a summary of user reviews of the Audio-Technica Pro 70. For example, 90% of 194 users who have commented on the Value for money of the Audio-Technica Pro 70 have given positive feedback.
Showing 1 to 20 of 70 Reviews
Reviewed by Robert Lang on Guitar Center
I struggled for years with the limitations of the typical piezo pickup installed in my 1985 Guild acoustic. Even through the best acoustic amps or PA systems, tone and response of piezos are never great, no matter how much you try to tweak them. After installing a Fishman Rare Earth pickup in the soundhole, I was happier, but my guitar just didn't sound like my guitar through my PA. After demoing the Fishman Aura, which promises to replicate guitars realistically, I was again disappointed. A salesperson at GC recommended this mic. From the first time I used it, I was much happier, and it gave a natural sound. But, placing it on the edge of the soundhole accentuated the pick-on-strings sound too much, and I often hit the mic with my hand. So, I flipped it INSIDE the sound hole. After notching out some mids (around 750 Hz) to get rid of "boxy-ness" in the sound, my guitar sounded like my guitar! I am often complimented by audiences at gigs saying how clear and natural my guitar sounds. I am VERY happy with this mic. Keep in mind that ALL mics can experience feedback, especially at louder stage volumes, which pickups are essentially immune to. But, unless you're really playing loud, this should not be a problem. I highly recommend you check out this mic if you're a gigging acoustic guitar player. Feel free to e-mail me with questions. ... More
Reviewed by Quackington on B&H Photo Video
Primary use: oral history.Bought these mics to replace some Shure WL51s that have been giving me some problems, and these are much better at picking up sound at lower levels of gain on the recorder. Tested them on a Zoom H5, which gets a lot noiser at gains of 6 and above, and that needed a 7 or more for the Shures. It picks up the ATs fine a bit under 6. (Incidentally, tried them briefly on a Tascam DR100-mkII and these mics picked up with no trouble at a gain of 3).These are bigger than the Shures, especially with the windscreen on, but I'm not producing theatre. I'm interviewing people and want good audio. Audio is clear, low noise, and the mics are well built with a pretty long mic cord. You'll need your own XLR cable to connect the mic to the recorder. Each mic runs off phantom power or a single AA battery, and I've been using the battery to extend the life of the Zoom H5. I may update this later to let you know how long the battery lasts.Only minor issue I have: the battery fits a bit too snugly in its compartment. Nice to not have it rattling around, but it's a little bit of work to remove it.They are a pretty amazing buy at this price. Funding is always a big concern in public history, and it's really great to buy two mics for the price of one higher end mic, while not losing much that your ears will be able to detct. With these and a Zoom H5 or a Tascam DR-100mkII, you can put together a very good field recording kit for $ (I'm including the mic cables in the cost; not including the memory card or batteries). ... More
Reviewed by Curtis on B&H Photo Video
My experience with lav mics is that the best full- sound usually comes from omnidirectional pickup patterns rather than cardiod. But if your talent is recording in a noisy environment or a room that is not acoustically treated, you may need the narrower pickup pattern that this cardiod lav provides. I notice that the sound coming in needs some EQ for most voices in the 1K range--usually a cut of about 6db. Once I do that, the sound is quite nice--natural sounding with an even low-end. If you don't EQ, there is a slightly harsh sound where the mid frequencies are a little hyped. So be careful when comparing this to most other lav mics--because of its cardioid pickup pattern, this one is best for noisier environments or untreated rooms. For this purpose, I love it--well constructed, durable, sounds great (after EQ as above). ... More
Reviewed by Thompson Video Reporting on B&H Photo Video
I purchased 3 of these to use for filming video depositions. They are thoughtfully designed and rugged. The power supply runs off one AA battery (included)and is made of heavy metal. It has a switch on the side with three positions - power off - power on, flat response - and power on, low cut filter. The mic clip is not flimsy. The storage bag is padded mesh fabric and is nicer than what you get with an SM-57. The capsule is a bit large, thicker than a pencil not as thick as one of those black permanent markers we all use to label our DVDs (you know the one... right?). The best two features of this mic though are it's RF rejection (dead silent while a cellphone call was lighting my other -more expensive brand- lav up like a Christmas tree) and the length of the cable coming from the power supply to the mic element (something like 6 feet, maybe more. and it's good quiet cable, not a lot of handling noise). The only thing I might call a con is that the Battery Cover Latch is sort of a light weight, not cheap, but not exactly the same build quality as the rest of the mic, but certainly not a deal-breaker... My suggestion is buy three. ... More
Reviewed by Guy on Guitar Center
Needed a cheap backup mic for audio interviews. While setting up to videotape a singer/guitarist at a house party, I tried my Zoom recorder's built-in mics. Terrible. Then I tried my Oktava MC-012. So-So. On a whim I trid the AT Pro-70 on a stand about 4' from performer and was blown away - rich, full, warm sound, with just enough of the live room ambience to add an extra dimension without boominess.
Reviewed by RioJayo on B&H Photo Video
I needed at lav that I could use in a filed interview to capture sound without depending on my Sennheiser shotgun. I wanted the flexibility to use the phantom power that comes with the Pro 70 or supplied by another source. Overall, the mic met my needs. NOTE: it is not good for exterior recordings, if there is the smallest chance of wind. It is really for studio or controlled settings. If that fits you bill, its worth the money.
Reviewed by Helene Rottenberg on Guitar Center
It was perfect with my guitar. I love that it came with a padded clip to use with my new guitar so, although I wanted to play without amplification, there was no problem putting it on my new custom made instrument. The string quartet I was playing with couldn't tell it was amplified (I also have a great amplifier). It was a very affordable microphone - I am looking forward to more occasions that I will be able to use it with my best instruments.
Reviewed by Brent on B&H Photo Video
I shoot a bunch of promo videos for my Church on a volunteer basis, and just moved from the $$Polsen OLM-10 Omnidirectional Lavalier Microphone to the The Audio-Technica Pro 70 and I'm VERY happy with the upgrade. The Polsen was fine at first, but I never had a spare LR44 battery (those tiny little batteries). After 4 years, I started to get static on my recordings. I don't know if it was a problem with the rather thin cable, low battery power, the connectors, or what. But the static would come-and-go. I find the quality of the sound and manufacturing much better with the Audio-Technica Pro 70 -- not to mention, I've always got plenty of AA batteries hanging around. I would definitely recommend this product. ... More
Reviewed by Francosuave on B&H Photo Video
I originally bought this to mic a cello as the available pickups were unsatisfactory. After a makeshift adaptation of the instrument clip we were getting a nice, rich, warm, full tone right away without even touching the EQ. We've been using this for frequent gigs--weddings, parties etc.--for about 4 or 5 years now and it's still working perfectly. This unit has served us so well at such a great price, I just bought 3 more from B&H to mic the string section of the jazz orchestra.
Reviewed by Michael on B&H Photo Video
I bought my first of these in 2011, and it's still going strong. Of the numerous budget microphones I've tried in the last nine years, this one remains the best lav I've used. I haven't experienced any issue with the wire shorting out. The signal continues to come through strong and clear. The main downside for me is the size of the mic itself, which is far larger than other options and is quite noticeable on the subjects while filming. I gladly accept that tradeoff for the reliable, quality sound.
Reviewed by Connor on B&H Photo Video
I was hunting for a cardiod lav mic that I could use for indoor and outdoor interviews. This mic looked like a good choice and had a decent price. After doing some brief testing, I decided this was a good choice. It sounds great indoors (even with background noise). I did not notice much hiss or noise. I connected this to a Zoom H4n using an Audio Technica XLR cable. Everything seems great. In fact, I'm thinking of purchasing another one.
Reviewed by micblame on B&H Photo Video
Excellent lav for interviews. I use it for on camera interviews and recording voice overs and could not be more pleased: Excellent sound quality for the price. The mic itself is a bit on the large side, making it difficult to conceal (hence the 4/5 stars). But if that is not a concern for you, then this is the perfect, inexpensive lav. Note: You should be sure to purchase a windscreen with this unit.
Reviewed by catjam1950 on B&H Photo Video
I bought the Pro 70 Cardioid Lavalier Microphone to use on my acoustic guitars. There are of course other types of microphone available, but with the Pro 70 I do not have to drill into the instrument with a risk of something going wrong. It also gives me flexibility to move it from one guitar to the next. Sound wise, I am pleasantly surprised at how clear & natural it sounds. Initially I did have some feedback issues, but with experience I have been able to overcome this.
Reviewed by Mark on B&H Photo Video
I use three of these mics for interview situations, and their great advantage is that the directional design minimizes bleedover between mics thats common when using omnidirectional mics. Bought this one to round out the kit after using two of them along with an omni lab mic on a project and getting bleedover on the channel with the omni. Used all three of them in the second shoot on that project...no bleedover!
Reviewed on B&H Photo Video
using it primarily on my guitar for acoustic gigging; does what is expected, i.e. picks up the sound of the guitar; as any mic could feedback; overall sound quality is fine for live performance; there are better mics for the studio work, of course, but this one can hold its own ground; the phantom power feature is nice; the felt on the guitar clip sometimes poses a challenge while clipping the mic to a guitar;
Reviewed by matthew on B&H Photo Video
This is the second time I have purchase the Pro 70 lavaliere. If your on a fixed budget, looking for a good interview lavaliere, then Pro 70 is one to look at.
Reviewed by Mike on B&H Photo Video
I use these for videography and for music recording. They perform very well. If you don't need wireless get these lavalier mikes - they won't let you down.
Reviewed by Kit on Guitar Center
I bought two of these at the recommendation of an employee at Guitar Center (Jarod?) to be used for on location podcast interviews. I checked around and they had the same price as everywhere else. I was happy about that. When they arrived I picked them up at the store and they unpacked them with me and showed me how to use them. When I got home I did some test recordings with them and they sound almost as good as my desk top mic. I was blown away.
Reviewed by Award winning documentary filmmaker on B&H Photo Video
I use the product with SONY fX7 and it works great. Although it's mono, you can hardly tell because the sound is crisp and loud. I was interviewing a man who had a hearing problem and talked at a whispering tone. We were in a loud hotel lobby but the mic picked him up just fine! The mic does not work well with my zoom H1 though, the sound is tinny and quiet. But when it's plugged directly into the camera, it sounds awesome!
Reviewed by George on B&H Photo Video
This cardiod pattern lavalier has a very n eutral flat sound that works well with acoustic instruments. It even comes with a clip on for acoustic guitars. I use them for sit down interviews. They are not bright but with a little EQ in post they shine. It is a good alternative to the standard omni directional lavalier.